UW84DC / You Wait For The Sea

UW84DC / Richard Deacon / Gene Coleman / Martin Kreyssig

UW84DC © Richard Deacon, Gene Coleman, Martin Kreyssig 2001/2017 

Film von Martin Kreyssig zur Ausstellung von Richard Deacon im Dundee Contemporary Arts, Dundee, 28 April – 24 June 2001. Länge: 11:28 Min, 2001 – 2017

Der Musikfilm sammelt Bilder aus 15 Skulpturen von Richard Deacon und verbindet sie mit dem Musikstück „Phoenix4“ von Gene Coleman.

»Richard Deacon is acknowledged as one of the principal British sculptors who has exhibited internationally since the early 1980’s. The Lisson Gallery is proud to announce the forthcoming exhibition including new large scale ceramic works and selections from the suite of steamed ash sculptures made for Deacon’s exhibition in Dundee last year.

Entitled, UW84DC, 2001 these fifteen lyrical wooden floor sculptures illustrate the historic interest Deacon has displayed throughout his career in joinery mixed with a light-hearted appreciation for the gesture. These unfurled and discarded remnants appear to belong to a larger whole yet somehow stand as constituent parts in their own right. Space is not contained within form, but rather form is composed and shaped by the dynamics of the structures themselves.

This corresponds and conflicts to form an interesting correlation with a new body of work of new large scale hand-built ceramic works that are inspired by the simple gestures of how the material reacts to methods of construction and manipulation, where hollowing, carving, piling and squashing become techniques in themselves. His dissatisfaction with the materials commonly associated with outdoor works drove him to explore the use of clay on a large scale, overcoming technical difficulties to produce a body of work that contradicts its materiality and scale. These highly finished forms allow for no procedural traces by which they are built, and in doing so become idealised forms where the appearance is divorced from the means of fabrication.

This preoccupation with methods of construction and uses of materials is one of continual development and the search for expressing new forms. The exhibition illustrates Deacon’s abiding fascination in the relationship between the physical and the material, however the work today is less overtly descriptive.«

(Quelle: http://www.lissongallery.com/exhibitions/richard-deacon)

UHMM

UHMM, 2007, Audio-CD, Richard Deacon / Sound by Martin Kreyssig

UHMM, 2007, Audio CD, 10:54 minutes by Richard Deacon and Martin Kreyssig

The original recordings for UHMM were made by Martin Kreyssig during an interview between Richard Deacon and Dr. Julian Heynen while sitting on a bandstand in the Stadtpark, Krefeld, Germany on May 13, 1991. The interview was used in the 16mm film ‚The Interior is always more difficult‘ by Martin Kreyssig on the architecture of Mies van der Rohe and the exhibition of Richard Deacon, Museum Haus Esters and Museum Haus Lange, Krefeld, May 12 to July 14, 1991. Uhmm is formed from the material not used in that film.
 

 
Produced and published by Dia Art Foundation; 535 West 22nd Street; New York, NY 10011
ISBN: 3710128866
 
UHMM wurde zuletzt im Rahmen der Ausstellung „Richard Deacon – About Time“ gezeigt, vom 29. Oktober 2017 –  25. Februar 2018 in den Städtische Museen Heilbronn, Kunsthalle Vogelmann.

British Art Studies, text by: Julian Heynen, „full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991″, British Art Studies, Issue 3, https://doi.org/10.17658/issn.2058-5462/issue-03/jheynen

UHMM, 2007 by Richard Deacon / Martin Kreyssig, Städtische Museen Heilbronn, Kunsthalle Vogelmann 2018 / Foto (c) M. Kreyssig
UHMM, 2007 by Richard Deacon / Martin Kreyssig, Städtische Museen Heilbronn, Kunsthalle Vogelmann 2018 / Foto (c) M. Kreyssig

Schwieriger ist sowieso der Raum im Innern / The Interior is always more difficult

The Interior is always more difficult © Richard Deacon, Martin Kreyssig 1991

Film von Martin Kreyssig zu einer Einzelausstellung von Richard Deacon in den von Mies van der Rohe erbauten Häusern Museum Haus Lange und Haus Esters in Krefeld 1991. Format: 16mm / Video, 25 min, Kamera: Reinhold Vorschneider, Musik: György Ligeti, Giacinto Scelsi. Deutsche und Englische Sprachfassung.

Der Film behandelt im ersten Teil Einzelheiten der Landhausarchitektur der von Mies van der Rohe (1886-1969) 1930 in Krefeld gebauten Privathäuser, die heute Museum sind. Der Kunsthistoriker Prof. Dr. Wolf Tegethoff erklärt die Architektur und spricht über Details dieses Ensembles aus zwei sehr ähnlichen, geschwisterlichen Gebäuden.

Im zweiten Teil des Filmes werden Skulpturen des englischen Bildhauers Richard Deacon (*1949) vorgestellt, die zum Teil speziell für die Ausstellung in Krefeld hergestellt wurden. Richard Deacon und Dr. Julian Heynen, Kurator der Ausstellung, sprechen über die konzeptuellen Unterschiede der Ausstellung für die beiden Häuser und erörtern Aspekte einzelner Skulpturen.

British Art Studies, text by: Julian Heynen, „full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991″, British Art Studies, Issue 3, https://doi.org/10.17658/issn.2058-5462/issue-03/jheynen

Schwieriger ist sowieso der Raum im Innern © Richard Deacon, Martin Kreyssig 1991

Them and Us

Them and Us © Richard Deacon, Thomas Schütte, Martin Kreyssig 1996

Thomas Schütte & Richard Deacon, Lisson Gallery London
1996, Videofilm (16mm), 6 min, Produktion: Deacon / Schütte / Kreyssig

Animationsfilm, der in Zusammenarbeit mit den Künstlern entstanden ist. Filzige Tiere, Aluminiumfiguren, ein akustischer Ausschnitt aus der Geschichte des Krieges in anderthalb Minuten, schließlich die Ausstellung in der Lisson Gallery: Arche Noah im Weltraum.

„Them and Us“ by Martin Kreyssig on Vimeo which accompanied ‘Them & Us’ exhibition at the Lisson Gallery, London, 1995.

Produced by Richard Deacon, Thomas Schütte and Martin Kreyssig as an advert for the exhibition to be broadcast on television. Published by Lisson Gallery, London.

Richard Deacon

New World Order, Richard Deacon, Tate Gallery Liverpool

New World Order

Richard DeaconTate Gallery Liverpool, 1999, Videofilm, 6 min

Filmisch – musikalische Notiz zur Einzelausstellung von Richard Deacon in der Tate Gallery Liverpool 1999.

«As we shall see, the mean information of a message is defined as the amount of chance (or randomness) present in a set of possible messages. To see that this is a natural definition, note that by choosing a message one destroys the randomness present in a variety of possible messages.» (David Ruelle, Chance and Chaos)